The idea was to gather the extended family of EHC collaborators between Boston and Montreal to record a day's worth of instrumental experimentation and improvisation, followed by a day of mixing. Three albums of material came of it, which were distributed personally as gifts by DMC in handmade brown paper lunch bag CDR packages.
Some pieces were freeform, some were pre-existing riffs or short compositions expanded upon by the group, and some were led by one person who established a sound for others to join (referred to informally as "show & tell")
These recordings would not have been possible without the generous support of all involved, donating their time and creative resources. It was a grand party, at long last to see the light of wider distribution.
This is album 3 of 3.
released July 7, 2017
Recorded May 20 & 21, 2001 by Bryce Goggin at Higher Power Recording in Stuyvesant, NY
Mixed by Bryce Goggin & DMC
Bryce Goggin’s current studio:
Mastered by Harris Newman in Montreal
sequence #3 of 3
1. from queens to the woods (led on piano by NJP)
2. the next morning (may 21st, 2001)
3. 9 rectory lane
4. for friends who have left us
5. the ugly button
(tracks 4 & 5 were originally meant to blend when played on CD)
Thierry Amar (upright bass)
Chris Brokaw (jaguar & gold guitars, percussion)
Leslie Brokaw (melodica, percussion)
Scott Chernoff (percussion, guitar & banjo - bowed, plucked, & strummed)
Brian Corr (fretless electric bass, melodica)
David Michael Curry (EHC coordinator, viola, horn, piano, loops, guitar...)
Bryce Goggin (recording engineer, Higher Power Recording. assisted by Todd Vos.
also: church steeple bell machine, programmed for the key of G - 9 rectory lane.
and he tossed some bells into the piano while it was being played)
Fluffy Erskine (percussion, singing saw)
Nicholas J. Patterson (turkish saz, piano, banjo)
Jonah Sacks (cello)
Thalia Zedek (clarinet, sax, harmonica, guitar)